Saturday, August 27, 2011

Visiting and Painting Wild Horses


Painting Picasso, the famous Sand Wash Basin paint.


The vast area that these horses call home, is absolutely beautiful!



Being able to see the way the light effects the coat, and knowing that the horse will move anytime, really forces me to look intently and live completely in the present.


In June of 2009, I was on my way home from a workshop with Cowboy Artist of America, Jim C. Norton, when I first visited wild horses. It was the Onaqui herd located West of the Salt Lake area in Utah. At that time, I had no idea the profound impact they would have on my heart, and the important way they would change my painting.
Seeing wild horses changed me. I felt like I was a voyoueer to something scarred, almost forgotten. Watching them in the vast landscape with all of the power, risk and freedom that is inherent living in nature, not dependent on humans for anything captivated my interest. I have been drawn to seek out opportunities to visit wild horses on public and private land, each time learning something new from the way they interact with each other.
In July, I traveled to Craig, Colorado to visit the Sand Wash Basin Herd Management Area. The SWB herd is located on 160,000 acres of public land in northwest Colorado. They share the range with elk, deer and a sheep graze lease during part of the year. There are several bands that make up this herd, and during the course of three days, I was able to observe them.
There were family groups that ranged from newborn foals, to long time band Stallions in their twenties. I watched as they protected their young, played and sparred, and those bachelors that were trying to steal some mares for their own band.
As well as taking almost 4000 photos, I had the opportunity to paint three quick oil studies. In addition to the experience of painting the landscape from life, I find painting horses from life to be not only challenging but vital to the life that I put into studio paintings. When painting a landscape from life, we don't need to worry about the landscape moving, (only the sun moving), when painting a human from life, we can pose the model, when painting a domestic horse from life, we can tie them to a hitching post, but painting a wild horse from life has none of those constraints. Somehow, the lack of those constraints symbolizes the freedom inherent in the wild horses. That energy, freedom and life is part of what I put into those studies.
The quick studies and photo reference is what I work from when I get back to the studio. It was a great thrill and honor to be able to paint a well known band stallion, Picasso. He is an immediately recognizable stallion that has touched the hearts and imagination of people around the world that have visited him on the range or on the internet. There was a certain symmetry to being able to paint the wild paint horse, Picasso. The study I did of him as well as the two other studies, help me remember the color, value and feel of what it was like out on the Sand Wash Basin. I hope to bring that into the homes of collectors that may never make it out to the Range, but will be able to feel the life, freedom and power of the Wild Horses.

Wednesday, August 17, 2011

Painting Adventures

 "Monument Valley"  SOLD
 Painting at Jim Norton's workshop, WY
 Painting "Femur" at the Sand Wash Basin,CO

My trip to Wyoming for Jim Norton's workshop was a travel painting adventure. I stopped along the way to do some small paintings in Monument Valley, Bluff UT, Meeker CO, and of course the Sand Wash Basin Herd Management Area.
If you ever get the opportunity to visit any of the HMA's and observe wild horses, take it! I have been blessed with the opportunity to visit several of them and I have been thrill every time. Part of the adventure is never knowing what will happen. But in my recent visit to the Sand Wash Basin in Colorado, I was able to observe, photograph and paint wild horses in the vast open space of the West. I had Nancy Roberts as a knowledgeable guide, and the company of photographer Jim Westin. These two added so much to my visit and I was grateful to meet both of them. Thanks to both Nancy and Jim for taking some photos of me while out painting!
The opportunity to learn from Jim was another excellent growth experience. In addition to the workshop, I enjoyed the fellowship of other artist as well as wonderful Dutch oven cooking. I will post more on this adventure as I have time. Since I've been back I have been busy working on commissions and getting back outdoors to paint!

Wednesday, June 22, 2011

Western Artists of America membership

I am privileged to announce that I am a member of Western Artists of America. This prestigious group of professional artists is dedicated to the genre of cowboy, Indian, pioneer, cattle and horse subjects. It is an honor for me to be part of this talented group of artists that I respect and admire. The annual exhibit at the Pearce Museum in Corsicanna, Texas will be next Spring, and I hope to see collectors and friends at the reception.
As I get ready for my trip to Wyoming, via Colorado, I will be looking for place to paint along the way. I know some of these small paintings will be sources for inspiration for larger works that will be destined for the exhibit. I look forward to sharing my adventure with you!

Wednesday, May 18, 2011

Wildest Dreams-Painting and Wild Horse Adventure

Salt River Wild Horses, NFS
During the past two years, I have been living my dream. In June of 2009 I was returning home from a workshop with Cowboy Artist, Jim C. Norton when I visited the Onaqui Mustangs. While observing and photographing this herd I was deeply touched, and knew I would paint them. This series, “Among the Mustangs”,displays these iconic symbols as I saw them, thier interaction with each other and the land. This series began a soul-searching quest into each horse's spirit and relationship with the herd, allowing an intimate glimpse at the powerful, yet peaceful existence of wild horses in their natural environment. I began a quest to see as many of them as I could and express their beauty through paint. Some of the paintings from this original series are still available. Several are at the SunDust Gallery in Mesa, and several are on display at the Apache Junction City Office Complex.
This July, I am returning to study with respected artist Jim C. Norton. The intensive workshop, "Learning to See", will focus on painting the horse, landscape and figure from life. Norton describes painting the horse and figure as some of the most complex and challenging this to paint accurately. Therefore learning to paint them from life is one of the best ways to see what is happening with shapes, light and color in the subject.
Fulfilling one of my dreams, I will be stopping in Colorado at the Sand Wash Basin HMA to observe, photograph and paint this popular herd. I will be painting throughout this trip, capturing on canvas the inspiration and beauty. During that trip I will be meeting up with Nancy Roberts who maintains an insightful and informative blog about this herd. If you are on facebook, check out the variety of photos and stories posted about the herd.
"Making a Splash"
$275.00
Through my paintings, I hope you feel as if you have experienced the freedom and beauty of these iconic symbols of the American West.
Living my Dream. Thank you for your support!

Sunday, February 6, 2011

Painting Horses from Life


Koda SOLD

Belle
Oil
6x8

$40.00

Zoom and Luke
8x10 Oil study

$75.00
It was a beautiful day, with the temperature near 70, perfect outdoor painting weather. So I grabbed my gear and headed out. Koda is sold, Belle 6x8 is available, Zoom and Luke 8x10 is available. I didn't have much time with Zoom and Luke before they left, so at some point, I will do a painting in the studio based on this and the photo reference I took.
Seeing the subtleties-Small works from life.
I recently began a personal challenge paint the landscape and horse from life on a small scale, with a focus on seeing subtleties and expressing them in a painterly style. These paintings are on Fredrix Canvas pad and are offered for sale at reasonable rates.
These small works will be sold to the first person that contacts me about them. I will rely on email for that information. They will be priced as marked, plus $4.00 shipping.
Email: karenmclain@Qwest.net