Visiting and Painting Wild Horses

Painting Picasso, the famous Sand Wash Basin paint.

The vast area that these horses call home, is absolutely beautiful!

Being able to see the way the light effects the coat, and knowing that the horse will move anytime, really forces me to look intently and live completely in the present.

In June of 2009, I was on my way home from a workshop with Cowboy Artist of America, Jim C. Norton, when I first visited wild horses. It was the Onaqui herd located West of the Salt Lake area in Utah. At that time, I had no idea the profound impact they would have on my heart, and the important way they would change my painting.
Seeing wild horses changed me. I felt like I was a voyoueer to something scarred, almost forgotten. Watching them in the vast landscape with all of the power, risk and freedom that is inherent living in nature, not dependent on humans for anything captivated my interest. I have been drawn to seek out opportunities to visit wild horses on public and private land, each time learning something new from the way they interact with each other.
In July, I traveled to Craig, Colorado to visit the Sand Wash Basin Herd Management Area. The SWB herd is located on 160,000 acres of public land in northwest Colorado. They share the range with elk, deer and a sheep graze lease during part of the year. There are several bands that make up this herd, and during the course of three days, I was able to observe them.
There were family groups that ranged from newborn foals, to long time band Stallions in their twenties. I watched as they protected their young, played and sparred, and those bachelors that were trying to steal some mares for their own band.
As well as taking almost 4000 photos, I had the opportunity to paint three quick oil studies. In addition to the experience of painting the landscape from life, I find painting horses from life to be not only challenging but vital to the life that I put into studio paintings. When painting a landscape from life, we don't need to worry about the landscape moving, (only the sun moving), when painting a human from life, we can pose the model, when painting a domestic horse from life, we can tie them to a hitching post, but painting a wild horse from life has none of those constraints. Somehow, the lack of those constraints symbolizes the freedom inherent in the wild horses. That energy, freedom and life is part of what I put into those studies.
The quick studies and photo reference is what I work from when I get back to the studio. It was a great thrill and honor to be able to paint a well known band stallion, Picasso. He is an immediately recognizable stallion that has touched the hearts and imagination of people around the world that have visited him on the range or on the internet. There was a certain symmetry to being able to paint the wild paint horse, Picasso. The study I did of him as well as the two other studies, help me remember the color, value and feel of what it was like out on the Sand Wash Basin. I hope to bring that into the homes of collectors that may never make it out to the Range, but will be able to feel the life, freedom and power of the Wild Horses.

Painting Adventures

 "Monument Valley"  SOLD

 Painting at Jim Norton's workshop, WY

 Painting "Femur" at the Sand Wash Basin,CO

My trip to Wyoming for Jim Norton's workshop was a travel painting adventure. I stopped along the way to do some small paintings in Monument Valley, Bluff UT, Meeker CO, and of course the Sand Wash Basin Herd Management Area.
If you ever get the opportunity to visit any of the HMA's and observe wild horses, take it! I have been blessed with the opportunity to visit several of them and I have been thrill every time. Part of the adventure is never knowing what will happen. But in my recent visit to the Sand Wash Basin in Colorado, I was able to observe, photograph and paint wild horses in the vast open space of the West. I had Nancy Roberts as a knowledgeable guide, and the company of photographer Jim Westin. These two added so much to my visit and I was grateful to meet both of them. Thanks to both Nancy and Jim for taking some photos of me while out painting!
The opportunity to learn from Jim was another excellent growth experience. In addition to the workshop, I enjoyed the fellowship of other artist as well as wonderful Dutch oven cooking. I will post more on this adventure as I have time. Since I've been back I have been busy working on commissions and getting back outdoors to paint!